As a result, we don't
write tentative dates in our schedule. Old House requires a 50% deposit on the time you plan to book. That way, we know that you will be there and you know that we will not book something else during that time. Once we receive a deposit, the date is yours. Deposits are non-refundable, but if unforseen circumstances arise, you can reschedule your session once as long as you give us seven days' confirmed notice.
All sessions are booked by appointment, but we will work just about any hours necessary. We will do sessions seven days a week.
Our rates are extremely competitive in terms of the functionality and flexibility of the studio, caliber of instruments and equipment, and expertise of our staff. Please feel free to check with other studios in the area and call or email us for rate information. We have what many people consider to be an excellent day rate, which we prefer to book, but we can work by the hour as well.
A day is as long as everybody needs it to be. Most sessions start around 11AM and continue until people are tired or the day's work is finished. There usually comes a time when people get worn-out and the progress of the session becomes self-defeating. We don't like to work past that point.
Yes,
especially when it comes to drums and guitars, although we do require that you use any of it. (You are more then welcome to bring any of your own equipment.) We provide the studio equipment at no additional cost (with the exception
of drumsticks, new drumheads, batteries, guitar strings, or picks). Certain pieces of equipment in our collection are made available by our staff, so if there's something specific you would like to use, please check beforehand so that we can ensure it will be there for your session.
Yes. We know many, many instrumentalists and singers
who can provide talents in classical, jazz, rock, country, bluegrass,
R&B, gospel, and many types of ethnic and folk
styles. If you need an arranger for a project (for horns, strings, etc.),
we know several excellent ones, as well. Rates for these musicians vary according to the specific project.
We have, on numerous occasions, mixed projects
that were recorded in people's homes
or other facilites. We have also tracked music for artists who have done additional work at home. This allows the artist to take advantage of Old House's space, acoustic design, and selection of instruments, microphones, and outboard equipment for more involved sessions, while maintaining a pace and/or privacy element with which they are comfortable in their home setups.
While we are technically capable of providing mastering for most projects, we prefer to recommend people who specialize in that area. We have had good experiences with many mastering engineers locally, regionally, nationally, and internationally and will happily refer you to someone who will fit your specific needs.
We can handle very small-run duplication jobs, but generally, we refer projects to one of several different companies, depending on the size of the duplication order. There are several excellent local companies and large international companies to which we can refer you.
The best advice we can offer is to suggest that you plan well, rehearse, make sure that your instruments and equipment are in good, working order, and know what you plan to acheive in the time you've allotted. Anything that you can do along those lines before you get to the studio means you'll be doing those things while you're not paying for studio time. Here's a list of specific thoughts and suggestions about how to prepare for your time in the studio.
Our website was designed by Chris Garges with assistance from Scott Applegate and Jason Hausman at Hot Sake Creative. The photographs of the studio were taken by Flavio Mangione and Chris Garges. We welcome any comments that would make this site more user-friendly.
|